Dia de Los Muertos 2025

Why do we celebrate Halloween? No one gets the day off, and unlike all other major holidays it has no religious or governmental affiliation. A survivor of our pre-Christian, agrarian roots, it has become one of the most popular and widely celebrated festivals on the contemporary American calendar. Jack Santino has put together the first collection of essays to examine the evolution of Halloween from its Celtic origins through its adaptation into modern culture. Using a wide variety of perspectives and approaches, the thirteen essayists examine customs, communities, and material culture to reveal how Halloween has manifested itself throughout all aspects of our society to become not just a marginal survivor of a dying tradition but a thriving, contemporary, post-industrial festival.  Its steadily increasing popularity, despite overcommercialization and criticism, is attributed to its powerful symbolism that employs both pre-Christian images and concepts from popular culture to appeal to groups of all ages, orientations, and backgrounds. However, the essays in this volume also suggest that there is something ironic and unsettling about the immense popularity of a holiday whose main images are of death, evil, and the grotesque. Halloween and other Festivals of Death and Life is a unique contribution that questions our concepts of religiosity and spirituality while contributing to our understanding of Halloween as a rich and diverse reflection of our society's past, present, and future identity.

Why do we celebrate Halloween? No one gets the day off, and unlike all other major holidays it has no religious or governmental affiliation. A survivor of our pre-Christian, agrarian roots, it has become one of the most popular and widely celebrated festivals on the contemporary American calendar. Jack Santino has put together the first collection of essays to examine the evolution of Halloween from its Celtic origins through its adaptation into modern culture. Using a wide variety of perspectives and approaches, the thirteen essayists examine customs, communities, and material culture to reveal how Halloween has manifested itself throughout all aspects of our society to become not just a marginal survivor of a dying tradition but a thriving, contemporary, post-industrial festival.  Its steadily increasing popularity, despite overcommercialization and criticism, is attributed to its powerful symbolism that employs both pre-Christian images and concepts from popular culture to appeal to groups of all ages, orientations, and backgrounds. However, the essays in this volume also suggest that there is something ironic and unsettling about the immense popularity of a holiday whose main images are of death, evil, and the grotesque. Halloween and other Festivals of Death and Life is a unique contribution that questions our concepts of religiosity and spirituality while contributing to our understanding of Halloween as a rich and diverse reflection of our society's past, present, and future identity.

Depicts various aspects of the celebration - including Prehispanic and Spanish Catholic traces on its development as well as folk and popular culture versions - and describes its changing place in contemporary Mexico. This work examines in detail differences in attitudes towards death in Mexico and the United States.

Growing up Latino in America means speaking two languages, living two lives, learning the rules of two cultures. Cool Salsa celebrates the tones, rhythms, sounds, and experiences of that double life. Here are poems about families and parties, insults and sad memories, hot dogs and mangos, the sweet syllables of Spanish and the snag-toothed traps of English. Here is the glory--and pain--of being Latino American. Latino Americans hail from Cuba and California, Mexico and Michigan, Nicaragua and New York, and editor Lori M. Carlson has made sure to capture all of those accents. With poets such as Sandra Cisneros, Martín Espada, Gary Soto, and Ed Vega, and a very personal introduction by Oscar Hijuelos, this collection encompasses the voices of Latino America. By selecting poems about the experiences of teenagers, Carlson has given a focus to that rich diversity; by presenting the poems both in their original language and in translation, she has made them available to us all. As you move from memories of red wagons to dreams of orange trees to fights with street gangs, you feel Cool Salsa's musical and emotional cross rhythms. Here is a world of exciting poetry for you, y tú también.

This cultural encyclopedia examines customs and beliefs relating to death and burial in clear, well written articles covering most major religious and cultural traditions from prehistoric to modern times. Readers of Death and the Afterlife: A Cultural Encyclopedia will find that spending time with death is life-giving in most cultures today and throughout history. The Underworld, whether the Greek Hades or the Chinese Yellow Springs, is not just a repository of the dead, but the source of fertility, wealth, and hidden wisdom bestowed only upon the adventurous who cross the border between this world and the next. This comprehensive reference work contains hundreds of entries on the sometimes obscure, complicated, and mysterious (but always fascinating) funeral customs of dozens of cultures. More than a gathering of information, this reference draws out the underlying meaning of funeral and afterlife traditions. Each entry is extensively documented and includes the insights of thoughtful native authors and commentaries directly related to the cultural topic at hand. A topic finder by culture, a bibliography, an index, and primary source references are included.

Honoring relatives by tending graves, building altars, and cooking festive meals has been an honored tradition among Latin Americans for centuries. The tribute, "el Dia de los Muertos," has enjoyed renewed popularity since the 1970s when Latino activists and artists in the United States began expanding "Day of the Dead" north of the border with celebrations of performance art, Aztec danza, art exhibits, and other public expressions. Focusing on the power of ritual to serve as a communication medium, Regina M. Marchi combines a mix of ethnography, historical research, oral history, and critical cultural analysis to explore the manifold and unexpected transformations that occur when the tradition is embraced by the mainstream. A testament to the complex nature of ethnic identity, Day of the Dead in the USA provides insight into the power of ritual to create community, transmit oppositional messages, and advance educational, political, and economic goals.